#Battlestar galactica battle music movie

The sound of these elements together is great and using ethnic instruments for sound alone is something that should maybe be done more. He uses an Armenian duduk, Japanese Taiko (among other percussion), and Indian lyrics. Nonetheless, it is fun to hear a new use for these lyrics, and it calls attention to some of the instrumentation choices Gibbs made. They are the same segment (Brhadaranyaka Upanisad 1.3.28) which Don Davis used in the latter parts of The Matrix Revolutions, most notably in 'Neodammerung', although this appears to be a coincidence. The most interesting part to this score only appears in 'To Kiss or Not to Kiss' which is a female vocalist singing lyrics from the Upanisads in Sanskrit. Battlestar Galactica lands somewhere between Graeme Revell's Dune and Bryan Tyler's Children of Dune with the former's ambient nature and the latter's ethnic instrumentations.ДЄll the elements of the score are included in the first track, ' Battlestar Galactica Main Theme': female vocals, light orchestrations, pounding percussion, and a droning duduk. The music for Sci-Fi Channel's mini-series has received more attention of late.

#Battlestar galactica battle music movie

Rhythmic, percussive, and fast-paced, Battlestar Galactica is not the easiest score to listen to on album, but it works well in the movie and it pushes the limits of science fiction cinema. Gibbs, former member of Oingo Boingo, oddly enough wrote a score for a remake that is most comparable to Elfman's Planet of the Apes remake.

There are no major themes, other than some repeated rhythmic patterns, but it terms of style, he uses a wide array of percussion instruments, backed often with string or brass chords, which convey the harshness of space and, at times, the inhumanness of the Cylons. Richard Gibbs' latest contribution to the genre takes a completely different approach that, in some ways, seems to make more sense for what is being illustrated on the screen. John Williams and Jerry Goldsmith set a precedent in the late 1970's for scoring space films with massive orchestral efforts.